The Birthstone Book Tag

  I stole this one from Joni. It looked way too cool to pass up.

  January - Garnet

  Name a character who you think is evil/dark

  The Governor from The Walking Dead comics is pretty much irredeemably bad (the guy could eat puppies for breakfast and it wouldn’t surprise me). Opal Koboi from the Artemis Fowl books is pure evil but also hilarious. The Beast from The Magicians is terrifying.

  February - Amethyst

  Name a book you think of as regal

  The Lord of the Rings trilogy, obviously, but also the Earthsea Cycle by Ursula K. Le Guin, especially book number three, The Farthest Shore.

  March - Aquamarine

  Name a character who you think of as weak, or as more of a follower

  My birthstone is aquamarine, so I kind of resent the “weak” implications. :) I’m going with Clover from Entwined. On first impression she is more of a follower (quiet, cripplingly shy, avoids conflict), but as the story goes on she proves herself just as strong as her sisters.

  April - Diamond

  Name a book that you love, but isn’t very well known

  Her Own Song by Ellen Howard is one of the saddest, sweetest middle grade books ever, but it’s been out of print for a while. On the plus side, you can still find cheap used copies on Amazon. It’s about a white girl growing up in the early 1900s who discovers that her first adoptive parents were Chinese.

  May - Emerald

  Name two characters who balance each other out.

  Matt Murdock and Foggy Nelson from Marvel’s Daredevil comics, Bruce Wayne and Alfred Pennyworth from DC’s Batman comics, and Willy Henry and Pellinore Warthrop from the Monstrumologist series.

  June - Pearl

  Name a character who’s loyal

  Leo Demidov from Child 44.

  July - Ruby

  Name a book that aggravates you/makes your blood boil

  Not too many. I tend to be pretty laid back about most books. Charles Dickens’ treatment of most of his female characters does get on my nerves, and anything with a really strong patriarchal bent (so, some classics and a certain subset of Christian books) rubs me the wrong way.

  August - Peridot

  Name a supporting character you preferred to the main character

  I waver back and forth on whether I prefer Susan to Lucy in the Narnia books.

  September - Sapphire

  Name a book that you found to be calming.

  Reading anything by Susanna Kearsley is very relaxing.

  October - Opal

  Name a book with a pretty cover

  I ADORE this copy of Peter Pan.

  November - Topaz

  Name a book with a resilient protagonist

The first one to jump into my mind was The Outsiders. Pretty much all the main characters are resilient, in their own individual ways. S. E. Hinton’s other book, Tex, has a main character who doesn’t appear to be resilient at first, but actually is.

  December - Blue Zircon

  Name a fictional friendship you’d love to be a part of
The entire gang in The Outsiders (kind of feel like a girl would throw off the dynamic, though). Most superhero groups, but especially the batfamily. Hanging out with the Pevensies (or just C. S. Lewis) would be fantastic. Gen and Costis from The Queen of Attolia have the weirdest, most adorable bromance ever, so I wouldn’t want to intrude, but then again...

Problems With Plotting

So, I’ve been plodding semi-steadily through the fourth draft of my mermaids & Neverland short story, and trying to get some other projects off the ground. It’s been slow going, guys. Partly because I’m feeling drained and a little discouraged, partly because summer isn’t usually a productive time for me, and partly because I can’t plot to save my life.

My idea-getting always begins with relationships. Not even specific characters, but a specific type of dynamic I’d like to explore. If I’m lucky, there’s enough to this relationship to suggest the kind of characters who’d be involved in it. For my Twelve Dancing Princesses retelling, I knew I wanted to explore the relationship between the sisters, plus the eldest princess’ interactions with the soldier. I was also lucky enough to have the basic plot already laid out for me. Most times, I don’t, and this is where things get tough.

I can’t plot, at least not as well as I’d like to, and never easily. For some reason, getting characters from point A to point B is a struggle for me. They’re so many times when I’ve written a decent opening scene before realizing that I have no clue where the story should go next. I’ve tried outlining, flash cards, and freewriting, but so far I haven’t found the magic bullet that will turn me into a plotting whiz. Mostly I just have to muddle through and hope I make it to the end.

Maybe I’m more of a character writer, but 100+ pages of nothing but pointless conversations and introspection do not a good story make. I love tightly plotted books, and I’d love to learn how to improve my plotting “skills”. So my question today is, how do you guys plot? Whether you outline or don’t, whether your stories are plot- or character-focused, I’d love to hear how you navigate from point A to point B.

Picture Credit: X

Taking Stock: June 2016

Feeling: A little discouraged. Writing was going so smoothly until last week. I have lots of ideas, and high hopes for July, though.

Missing: College. I’ll have a pretty hectic course load next semester, but I’m already excited to get back.

Reading: In the Woods by Tana French, Nimona by Noelle Stevenson, To the End of June by Cris Beam, Batman: City of Owls by Scott Snyder, and Child 44 by Tom Rob Smith.

Rereading: Entwined by Heather Dixon. I adore this book.

Wondering: If I’ll ever get to a point where I’m able to produce stories consistently, instead of in twice-a-year spurts.

Watching: The Simpsons. They’re episodes where I identify with Homer way too much.

Knitting: The scarf that will never be finished. Next time I’ll use wider needles.

Journaling: Barely at all this month. Things have been pretty quiet around here. :)

Eating: Fresh peaches.

Craving: More fresh peaches.

Loving: Cassandra Cain, Barbara Gordon, Alfred Pennyworth...basically the entire batfamily. Also that they’re actually called “the batfamily”.

Picture Credits: X, X, X

Writing Updates 6.22.16

So far, this week has been...interesting. Writing-wise, anyway.

Ghostly WV Story: On hold at the moment. I got about 60 pages in before realizing that the plot makes no sense and I can’t push forward because there’s no logical next point to push forward to. I love it to pieces, but for now I’m letting it stew because, honestly, if I try to continue now I’ll probably end up burning it.

Mermaids & Neverland Short Story: Going well. The third draft’s finished and I’m getting ready for the fourth. At this point I’m SO TIRED and just want to finish things up, which means I’ve got at least four more drafts to go. I’m never satisfied with my own writing style, and plots are tricky for me, but I really hope this one comes together in the end.

Other Short Story: Midway through a first draft. This one has a lot to do with memory and family (at least I hope it does). Also, superheros. Hopefully I’ll be able to talk about it a little more once the first draft’s done.

Other Ideas: I have a backlog of ideas right now, but they’re not necessarily all ones I want to write about. A couple MG contemporaries, something to do with 1920s speakeasy werewolves, something to do with flying ships (because Treasure Planet), more contemporaries….I need a break from dark and broody stories. I’m not in the mood for whimsy, exactly, but something lighter and fun.

What have you been working on this week?

  Picture Credit: X

Ways to Go

When I was fifteen (give or take a year; I’m terrible at remembering dates and ages) my brother, two of my sisters, and I visited New York City with our grandparents. We took a bus up from DC, stayed for a week, and took a bus back. So far, it’s been my only visit, but I’ve always wanted to go back.

We hit most of the typical tourist destinations, like the Brooklyn Bridge and the Met. We also had lunch in Hell’s Kitchen--I didn’t know about Daredevil then; otherwise I’d probably have keeled over from a fangirling-induced heart attack--and ate hot dogs at Papaya King. I bought my copy of That Was Then, This Is Now from the Strand Bookstore. In our hotel room, my sister and I kept the drapes open all night so we could see the city lights, and as cheesy as it sounds, that’s my favorite memory.

There’s something about big cities that I’ve always loved, and even though I’ve never quite pinned it down I think it has to do with the sense of possibility. You can move somewhere else, somewhere enormous where nobody knows you, and build a new life from scratch. Sure, the reality of that would be nowhere near as romantic as the idea of it, but it’s something I still daydream about. Part of me feels guilty, since “I’m moving to New York to pursue my dreams!” is the most stereotypical pipe dream ever. Usually I can counteract it with a couple replays of “The Boxer”. But another part of me still thinks that one day I might.

Probably not, but you never know.

They’re so many places I want to visit or revisit. I’m not one of those people dead set on leaving their small town for the big city, but I know that I don’t want to stay in one place my entire life. I do want to settle down, but not until I know exactly where to settle down. And who knows where that will be?

What are your dream destinations?

Picture credit: X

Zombies Bore Me

Near the beginning of Dark Places Libby Day, one of the most likeably unlikeable characters ever, thinks, “Coffee goes great with sudden death,”.  For me it’s “Tea goes great with writing,” because sometimes writing does feel like sudden death. Like when the story you’ve worked on for days suddenly loses all its zest for life and goes belly-up before your very eyes. It’s kind of traumatic.

Well, really, it’s nowhere near as traumatic as sudden death. But exaggerated analogies aside, this just happened to a short story I was working on. One day I was rolling right along, getting out a not-great-but-fairly-passable first draft, and the next I sat down to write and realized that the spark was gone. The story was dead as a doornail, and so was my motivation to finish it.

Since I’m also working on a book-length project, plus another short story (plus, I suddenly have more ideas than I know what to do with), I’m not as upset about this as I usually am. I’m just curious about why this story failed. How come it fell apart so quickly? After thinking about it, I realized it was because this short story was about zombies. And zombies bore me.

I love reading other books about zombies. I LOVE The Walking Dead (both the show and the comics I’ve read). Zombies can be really interesting when other people write about them. But when it comes down to it, they’re just shuffling corpses. On their own, they’re neither especially scary or especially interesting. To make a zombie story work, you need a bit of a unique angle on the mythology, and a compelling story with interesting characters. I had neither.

I was writing your garden-variety apocalypse story, and my zombies were boring. It was nothing I hadn’t read or seen before--slow-moving, unending appetite for human flesh, yada, yada, yada. Maybe it would have worked if my character were better, but on their own they didn't interest me, either. In one way, it’s sort of sad, but in another I feel so liberated. I’ve been trying to write a zombie story for AGES, and now I’ve finally realized that I don’t have to.

So there’s really not much point to this post, other than me realizing they’re certain things I don’t (at least at the moment) have enough of a unique spin on to write about. Also, I don’t have to have a unique spin on everything. Sometimes it’s just enough to enjoy other people’s work.

Is there a certain mythological creature/type of story that you’ve tried to write but just can’t? (Also, if you’re looking for some good zombie books, The Reapers Are the Angels by Alden Bell and The Girl With All the Gifts by M.R. Carey are both fantastic.)

Picture credit: X